Heiner Meyer
Heiner Meyer was born in Bielefeld, Germany in 1953. He continues to live and work in Germany.
In recent years Meyer has emerged as one of Germany’s most important Pop artists. He has been delivering freeze-frame glimpses of our national consumer psyche for nearly forty years.
His paintings present an unbiased, outsider’s view of American Pop Culture through dynamic works combining the influential imagery of our lives. Unlike the Pop Art movement which focused on the individual everyday object, Meyer’s work highlights the stream of juxtaposing visuals fed to us daily from the past and the present that reflect upon who we are.
Meyer studied liberal arts at the HBK Braunschweig with Professors Karl Schulz and Malte Sartorius where he later became a teacher himself. He has traveled extensively and been featured in exhibitions worldwide. Over 30 books and catalogs have been published about his work.
From his early years as an artist, in which he was an assistant to Salvador Dali, being honored as the opening exhibition artist for the Museum of Contemporary Art in Giessen, Germany, Meyer has stayed true to his voice. Although the visuals continue to change, running through the annals of historical through present day culture, it has remained the consistent responsibility of the viewer to laden the visuals with any inner meaning, value or consideration based on their personal experience, attitude and place within paintings’ contexts.
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Biography
German Pop Artist Heiner Meyer has been delivering us freeze-frame glimpses of our national consumer psyche for nearly forty years. In this collection of new works, he presents an unbiased, outsider’s view of American Pop Culture through dynamic paintings combining the influential imagery of our lives. Unlike the Pop Art movement, which focused on the individual everyday object, Meyer’s work highlights the stream of juxtaposing visuals fed into our lives daily from the past and the present, which reflect upon who we are. In his paintings, these images show up together through people and objects, seemingly chosen at random from the encyclopedic stream of the communal psyche’s visual feed.
This feed, accumulated from a myriad of ever-present information portals from the television screen to the glossy magazine spread to the cinematic stage to the multimedia advertisement to the high speed internet site, is constantly imprinting upon us. Meyer’s paintings present a glimpse of any moment in time within that stream and the images both personal and non-personal that appear in that particular moment. Pin up girls pose next to Mickey Mouse while socialite stars like Paris Hilton transpose against glamorous icons like Marilyn Monroe, leading us to draw our own conclusions based on individual perspective and personae. Flashy cars, the metallic glint of money, haute couture, the latest sought after product, and our celluloid heroes all show up to place us in our contemporary environment.
Rapid information in a hurried world becomes highlighted upon individual canvas, lacking judgment or socio-political statement, expressed in candy-colored, exquisitely detailed and illustrious paintings. From his early years as an artist, in which he was an assistant to Salvador Dali, to his recent achievement of being honored as the opening exhibition artist for the Museum of Contemporary Art in Giessen, Germany, Meyer has stayed true to his voice. Although the visuals continue to change, running through the annals of historical through present day culture, it has remained the consistent responsibility of the viewer to laden the visuals with any inner meaning, value, or consideration based on their personal experience, attitude and place within the paintings’ contexts.
In recent years, Meyer has emerged as one of Germany’s most important Pop artists. Today, his work is shown in galleries and museums around the world and has been acquired in many important private and institutional collections. Over 30 books and catalogs have been published about his work.